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SCIFAIKUEST

FEBRUARY 2025

ONLINE

 

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DOOR ART:

 

 

 

 

 

FAIRY ON THE RED ISLAND

BY SONALI ROY

 

 

Greetings and Happy Valentine’s Day!

 

In this issue we are very fortunate to have some amazing poetry and a wonderful article by Joy Yin, all of which I hope you will enjoy. So kick back, get comfortable and immerse yourself!

 

Our Door is “Fairy on the Red Island”, by Sonali Roy!

 

Scifaikuest finally has its own ISBN!!! Please inform your local book stores and library that they are now able to ORDER SCIFAIKUEST!!!

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You can always find us here, at Hiraeth Books at: Welcome to Hireath Publishing - Best in Sci-Fi, Fantasy, Horror

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If you don’t have a subscription to our PRINT edition, they are available at: 

SCIFAIKUEST February 2025 | Hiraeth Publishing

 

And, if you would like to join the select group of contributors by submitting your poetry, artwork or article, you can find our guidelines at: Scifaikuest | HIRAETH BOOKS

 

Pssst! Looking for something good to read?

You can get t.santitoro’s newest book, The Red Foil, a SF mystery, at:

RED FOIL by t. santitoro | Hiraeth Publishing

and you can find her novella, Those Who Die, at:

THOSE WHO DIE by t. santitoro | Hiraeth Publishing (hiraethsffh.com)

You can also order t.santitoro's novella, Adopted Child, at:

https://www.hiraethsffh.com/product-page/adopted-child-by-t-santitoro

And you can still get a copy of her vampire novelette, The Legend of Trey Valentine, at:

LEGEND OF TREY VALENTINE by Teri Santitoro | Hiraeth Publishing

 

As always, I’d love to extend a huge Scifaikuest Welcome to our newest ONLINE contributor, Joy Yin!

 

SCIFAIKU

 

space pirate’s lament

trying to drop anchor

all it does is float

 

John H. Dromey

 

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fleeting images

Herb Kauderer

 

no longer human

AI video meeting

takes just a second

 

***

 

volcanoes of io

unimaginably inhospitable

unless you’re born there

 

Richard E Schell

 

***

 

earthshaking roar

fire pierces the fog

starship leaves for mars

 

Richard E Schell

 

***

 

I reach out

unexpectedly a tentacle

touches your’s

 

Richard E Schell

 

***

 

Saturn stopover

radiant rings guarantee

perfect proposal

 

Guy Belleranti

 

***

 

one ironclad debt

a robot medical bill

gravel in my gears

 

Dylan Mabe

 

***

 

in her memory palace

the psychic vampire

staked on a jonbar point

 

crossroads, by John Granville

 

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Einstein-Rosen bridge

a one-way crossing

spaghettified

 

West of Leone, by John Granville

 

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accordion doors

to the airlock

playing a wheezy polka

 

last dance, by John Granville

 

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planets fall

deep in love

collison

 

Joy Yin

 

***

 

shaking moon dust

from our boots . . .

Earthrise

 

Julie Bloss Kelsey

 

***

 

SENRYU

 

bad air remedy

oxygenated headgear

pleasant hatmosphere

 

John H. Dromey

 

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rogue submariners

hiding out in Atlantis

(sank)tuary

 

John H. Dromey

 

***

 

"Kissing the Blarney Stone"

Matthew Wilson

 

getting the gift of gab

finally able to convince martians

not to zap you into ash

 

***

 

full moon

he squeezes through

the dog door

 

David C. Kopaska-Merkel

 

***

 

waking from

a dream of waking

rows of frosted beds

 

David C. Kopaska-Merkel

 

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cemetery flood

steeping corpses in coffins

brewing humanitea

 

Randall Andrews

 

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dragons dining out

buffalo appetizer

double fire breathing

 

Randall Andrews

 

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I like mine

with hot sauce . . .

humans

 

Julie Bloss Kelsey

 

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HORRORKU

 

a thing of the past

my broken heart

under time’s rolling staircase

 

a thing of the past, by Benjamin Whitney Norris

 

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locked up

inside his head

key to immortality

 

locked up, by Benjamin Whitney Norris

 

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suburban night...

the awkward shuffling

of rotting feet

 

Greg Schwartz

 

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midnight mass

the gargoyle

opens its eyes

 

Greg Schwartz

 

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lightning flash

stark monochrome

ghostly figure

 

DJ Tyrer

 

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intricate spiral staircase

made from

cold human bone

 

Joy Yin

 

***

 

TANKA

 

on your arrival

your promises to us

prosperity and peace

now there are not

enough of us to fight

 

Richard E Schell

 

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my favorite dress

professional make up

I say goodbye

the last time

my perfect funeral

 

Richard E Schell

 

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two opponents

Herb Kauderer

 

football on Io

played in winged uniforms

with restraint lanyards

terminal velocity

always threatening to win

 

***

 

OTHER FORMS

(including: Sijo, Fibonacci, Cinquain, Minutes, Diminuendo, Ghazals,Threesomes, Brick, etc.)

 

GOGYOHKA

 

nightly news

from back on Earth

peace

in peril

nothing new

 

Lauren McBride

 

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FIBONACCI

 

They

Wrap

Around

My body

Squeezing me tightly

I’m afraid I might have gone a

Little too far on my new science experiment

 

Joy Yin

***
 

JOINED POEMS

(incl. renku and sedoka, joined fib. etc.)

 

Departing Mars Haiku

 

After fleet departs

Large meteorites bombard

The surface of mars

 

For those not chosen

Watch the skies turn to fire

From Martian surface

 

King and queen of mars

Can’t hide the tears

As last ship departs

 

Two thousand years pass

Before they reach new planet

Martians depart ships

 

Denny E. Marshall

 

***

 

ARTICLE

 

Haiku vs. Scifaiku

by Joy Yin

 

Haiku and scifaiku are two very similar forms of minimalist poetry. Haiku started in 13th-century Japan, as the starting phrase of renga, a longer form of poetry, but eventually breaking off from it in the 16th century. But now, it has grown to be popular in the whole world, written in various languages. Scifaiku (science fiction haiku) is a form of short, speculative poetry inspired by the Japanese haiku. In this article, I will be breaking down the similarities and differences of the two poetic forms.

 

Traditional haiku usually consists of 3 lines, the first line having 5 syllables, the second 7, and the third 5 syllables: together containing 17 syllables. Though the syllable rule is often relaxed in modern English haiku, because of many reasons. For example, the same words have a different number of syllables depending on your accent. Plus, since Japanese and English are two very different languages, even the mere concept of “syllables” varies.

 

Traditional haiku is about nature. There is another form of Japanese poetry--- senryu --- it’s like haiku but deals with human matters rather than nature.

 

The most famous haiku poet is Bassho (1644 -1694), the Japanese poet. This poem of his is perhaps the most famous haiku ever written (one of the most well-known translations):

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The old pond

A frog leaps in

Sound of water.

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A few examples from other poets include (but are not limited to):

 

This world of dew

is a world of dew,

and yet, and yet.

(By Kobayashi Issa)

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Delightful display

Snowdrops bow their pure white heads

To the sun's glory.

(By Paul Holmes)

 

The sound of rain.

The clouds on right-side are

With the summer moon.

(By Hasegawa Kanajo)

 

After killing

a spider, how lonely I feel

in the cold of night!

(By Masaoka Shiki)

 

Blowing from the west

Fallen leaves gather

In the east.

(By Yosa Buson)

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Finally, here’s my try:

 

Beautiful raindrops

Sticking to my window glass

Tears of the sad sky.

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As you can see, haiku uses simple yet beautiful and elegant language to vividly capture a moment in time, pulling the reader in, and making them able to experience it like they were there. Sometimes, the haiku can even express the poet’s feelings through the scene. (Tip: when writing haiku, try to replace long, frivolous words with easy-to-understand, natural ones. This might sound bad, but the feel of haiku is to preserve the essence of mother nature.)

 

On the other hand, scifaiku is a type of minimalist poetry inspired by the Japanese haiku. But instead of nature, it explores aspects of science fiction. The blending of two forms of writing creates a new, unique form of poem. The term was coined by Tom Brinck in his The Scifaiku Manifesto, which started the scifaiku movement in 1995. It’s like the official rulebook of scifaiku. He’s often called “The Father of Scifaiku”. People had written scifaiku before that (though not under that name), but Brinck helped popularize it and spread it across the globe. Other speculative genres, like fantasy and horror, have also expanded into the haiku circle, creating “fantasyku” and “horrorku”. They are like scifaiku but revolve around fantasy and horror instead of science fiction.

 

Scifaiku is typically written within the haiku framework, however, it is much more flexible with syllables and verse. Like haiku, it also focuses on a specific moment in time or concept. But there’s a twist: after the reader fully understands a scifaiku, they will be stricken with realization: the big “ah-ha!” moment in good scifaiku.

 

Here are some examples:

 

the view from Mars

another notch in

Orion’s belt

(By Pat Davis)

 

the best minds

left behind

Earth

(By Roxanne Barbour)

 

first holiday meal—

my mother- in-law’s tentacles

in every dish

(By Julie Bloss Kelsey)

 

desiccated mind slug

clings to a hamster brain

in a yellow jar

(By Tom Brinck)

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addicted-

vampire craves

canned sunlight

(By Ron Sparks)

 

My try:

 

Worst invention

Ever made:

Humans.

 

Now, of course, I know I haven’t covered everything on haiku and scifaiku. The possibilities are endless with this minimalist poetry duo. So, dear reader, read or perhaps write some haiku and scifaiku. It may not be anything like bungee jumping or skydiving, but it definitely is the experience of a lifetime.

 

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FAVORITE POEM

 

full moon

he squeezes through

the dog door

 

David C. Kopaska-Merkel

 

Creepy! Perfect! Classic! Well done!--editor t.santitoro

 

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BIOS

Randall Andrews is a speculative fiction writer and poet from southern Michigan. When not writing, he can be found wearing the soles off a pair of running shoes, listening to his favorite John Williams soundtracks, or hand-feeding his loyal flock of wild songbirds.

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John H. Dromey was born in northeast Missouri. He enjoys reading—mysteries in particular—and writing in a variety of genres. His short fiction has appeared in numerous publications. He’s had poems published in Eye to the Telescope, Star*Line, the Dwarf Stars 2022 anthology, and elsewhere.

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Herb Kauderer walks the waterfront of Lake Erie stealing poetry ideas from seagulls.

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Julie Bloss Kelsey enjoys writing scifaiku and collecting space-themed stamps from her home in suburban Maryland. In 2011, she won the Dwarf Stars Award for very short sci-fi poetry given by the Science Fiction and Fantasy Poetry Association; she tied for second place for this award in 2016. Her very first haiku publication (a scifaiku) appeared in a previous issue of Scifaikuest.

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Dylan Mabe is an Appalachian writer with a deep love for sci-fi, fantasy, and poetry. He is currently teaching Shakespeare and Science Fiction to students across Virginia . Dylan would like to acknowledge that he is a white man writing in a form that Japanese culture and artists shaped for centuries. All reverence for the form lies with the early and modern Japanese artists that continue to revolutionize short form poetry.

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Lauren McBride finds inspiration in faith, family, nature, science, and membership in the SFPA. Nominated for the Best of the Net, Pushcart, Rhysling, and Dwarf Stars Awards, her poetry has appeared internationally in speculative and mainstream publications including Asimov's, Fantasy & Science Fiction, and Utopia Science Fiction's first anthology (forthcoming). Her chapbook, Aliens, Magic, and Monsters, was published by Hiraeth (2023). She enjoys swimming, gardening, baking, reading, writing, and knitting scarves for U.S. troops.

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Richard E Schell works in the biomedical field in California. He enjoys writing and has published over 100 articles and other works in both the biomedical field as well as in fictional genres and poetry. He enjoys photography literature and travel. He also volunteers in animal rescue.

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Greg Schwartz works in a cubicle or his basement, depending on whether there's a worldwide pandemic at the time. In a past life, he was the staff cartoonist for SP Quill Magazine and a book/magazine reviewer for Whispers of Wickedness.

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DJ Tyrer dwells on the northern shore of the Thames estuary, close to the world’s longest pleasure pier in the decaying seaside resort of Southend-on-Sea, and is the person behind Atlantean Publishing. They have been published in The Rhysling Anthology 2016, Speculations III, and issues of Enchanted Conversation, The Horrorzine, Red Planet, Scifaikuest, Sirens Call, Spectral Realms, Star*Line, and Tigershark.

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Joy Yin is a writer from Wuhan, China, though she has also lived in California for 5 years. She is fluent in Mandarin Chinese and English but she’s also (trying her best to) learn Mexican Spanish. Joy has never been a sports person. Instead, she's always loved reading and writing. She's currently 13 years old and attending an international school in Mexico City.

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